Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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James Walter Robert Linton
Untitled(Stormy clouds with earth and water)

ID: 33206

James Walter Robert Linton Untitled(Stormy clouds with earth and water)
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James Walter Robert Linton Untitled(Stormy clouds with earth and water)


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James Walter Robert Linton

water-colourist ,English. 1869-1947 Australian silversmith, jeweller, woodworker and painter of English birth. His father was the watercolourist Sir James Dromgole Linton (1840-1916). Having trained as a painter and architect in London, he travelled to Western Australia in 1896 and began practising metalwork after settling in Perth; he was appointed head of the art department of Perth Technical School in 1902. Following a trip to London in 1907, when he attended classes at the Sir John Cass Technical Institute under Harold Stabler, he concentrated on producing metalwork. Working in partnership with Arthur Cross, William Andrews and his own son Jamie Linton (1904-80), he produced ecclesiastical and domestic wares, presentation pieces and jewellery. His designs were influenced by British Arts and Crafts metalwork and were bold and simple, with decoration generally confined to hammered surfaces, twisted wire, hardstones and enamels.   Related Paintings of James Walter Robert Linton :. | The Virgin | First Caresses (mk26) | The Hospitality of Abraham or The Trinity | Isabella and the Pot of Basil | Im Park Ein Seitenweg |
Related Artists:
vav der kooi

REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,
Louis Remy Mignot
Feb.3.1831-Sep.22.1870






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